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Reel To Real: Race, Sex, and Class at the MoviesBy Bell Hooks
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In Reel To Real, bell hooks talks back to films as a way to engage the pedagogy of cinema--the way film teaches its audience.
bell hooks comes to film as a cultural critic, fascinated by the issues movies raise--the ways cinema depicts race, sex, and class. Reel To Real collects hooks' classic essays on films such as Paris Is Burning or the infamous "Whose Pussy Is It" essay about Spike Lee's She's Gotta Have It, as well as newer work on Pulp Fiction, Crooklyn and Waiting To Exhale. hooks also examines the world of independent cinema. Conversations with filmmakers Charles Burnett, Julie Dash, and Arthur Jaffa are linked with critical essays, including a piece on Larry Clark's Kids, to show that cinema can function subversively as well as maintain the status quo.
- Sales Rank: #891237 in Books
- Published on: 1996-11-24
- Original language: English
- Number of items: 1
- Dimensions: .64" h x 6.10" w x 9.04" l, .90 pounds
- Binding: Paperback
- 256 pages
From Publishers Weekly
Hooks's essays on film are not film criticism: they are criticism of culture as viewed through the prism of film. This mix of theory, reality, popular art and popular criticism (reviews and public reaction play a large part in her discussions) is effective in forcing a rethinking of the films in question. A reading of reviews of Exotica shows that only the strip-joint portions of the movie were considered worthy of commentary. Quentin Tarantino?a filmmaker "not afraid to publicly pimp his wares"?is taken to task for ingesting superficial aspects of black culture and spitting out the rest. The "mock feminism" of Waiting to Exhale ("an utterly boring show") is exposed as hooks examines differences between the book and the movie. The essays that do not focus on a single film are equally successful: a discussion of the black female gaze recalls that slaves could be punished for looking, and another on representations of black masculinity notes that in movies with two male leads, one black and one white, such as Rising Sun, the white man plays the "father" role. The essays could have benefited from more thoughtful organization. Hooks refers to her first-ever film-related essay, on Spike Lee's She's Gotta Have It, in her introduction and elsewhere, but the essay does not appear until the final pages of the book. A piece on the accountability of filmmakers that involves Wayne Wang would have matched up nicely with a dialogue with Wang, which instead is sandwiched in a group of interviews with Arthur Jaffa, Camille Billops and the like.
Copyright 1996 Reed Business Information, Inc.
Review
This mixed view of theory, reality, popular art, and popular criticism...is effective in forcing a rethinking of the films in question.
–Publisher's Weekly
hooks is worth reading for her intelligent, passionate, and often convincing writings.
–The Onion
hooks...makes a compelling case to filmmakers for creating progressive images that 'transform the culture we live in'.
–Los Angeles Times
Those looking for insightful, sophisticated, and provocative views on cinema will enjoy and learn from Reel to Real. The book is particularly insightful about issues of race and about the ways black women are depicted in film. It will appeal to a broad audience and will also be useful as a way to introduce discussions of race, class, and gender into courses in aesthetics, film, and cultural studies.
–The Journal of Aesthetics and Art Criticism
This is intellectual entertainment at its best.
–Bay Area Reporter, San Francisco
About the Author
bell hooks (b. 1951) is mainly known as a feminist thinker, although her writings cover a broad range of topics on gender, race, education and the media. She is Distinguished Professor of English at City College in New York.
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